Web Design

You may find help with web design in this blog post — a conglomeration of design tips and typography suggestions.

Web Design Typography

Let’s make one thing absolutely clear before we move any further – Typography is not just about selecting the prettiest looking font.

If any web designer is harboring this notion, he either has a lot to learn or a lot to UNLEARN.

This kind of oversimplification is simply not acceptable, indicating laziness on a designer’s part to understand the full scope of typography in web design.

So, what is typography?

In his book, Canadian typographer Robert Bringhurst describes typography as “the craft of endowing human language with a durable visual form”. Echoing similar sentiment is Ellen Lupton who believes that “Typography is what language looks like.”

Simply put, typography is the art and technique of arranging type. It encompasses every possible element that can affect web design, including choice of typeface, color palette, line length, point size, layout, and design integration.

Design Envy   is a daily blog featuring the best in design today as chosen by a new curator each week. AIGA, the professional association for design, selects the curators, who are encouraged to discover and share examples of design that’s so good, they wish they had done it themselves.

Ultimately, Design Envy aims to inspire and inform in equal measures—through strong use of imagery, compelling descriptions about why selections were made, and attributions given to the creative minds behind the work.

Top-100-graphic-web-design-blogs-of-all-time

CSS Tricks

bittbox

web designer wall

Six Revisions

New Free Fonts

15 Free Books for Web Designers

The foundation of a story: Interviewing

The first step in writing a story is to gather information through reporting. Ask questions that can be answered with quotable material, not just “yes” or “no.” Try to take down as many direct quotes as possible.  But this is not all you are looking for in the interview. You also are looking for the following items:

Information:

* Written sources are OK for looking up facts and figures, but by the time they’re in print they are dated. You will be a better writer if you use information that has never been published anywhere before and is from a local authority on the subject. In your career interview, you are trying to get a complete picture of the job (or the sheer drudgery). This requires looking into things such as hours worked, overlapped work, deadlines, competition, etc.

* Exciting writing is built on exciting anecdotes, so the interviewer is always listening for them. A really sharp interviewer also listens for clues to experiences that could make lively anecdotes. Then the interviewer directs the subject to “give me an example” or “tell me about a time when that actually happened.” Often an anecdote will illustrate something about the interviewee such as his/her loyalty, bravery, persistence, determination or a quality which a “little story” can illustrate. These must be carefully “mined.” Here the interviewer is looking for examples of especially successful work by the interviewee or “boo-boos.” We are looking at a single person, warts and all.

Description:

* Observe nonverbals, body gestures, facial expressions, paralanguage (the way something is said), artifacts (what the person is wearing), movement of the interviewee. About 70 percent of total communication is nonverbal. Thus, if you are to tell the complete story, you must provide the reader with the complete picture.

The telephone interview does not allow description, but it is an important tool in your reporter’s toolbox

* In a telephone interview, you must be prepared with a set of questions. But don’t be a slave to those questions. Make sure you have identified yourself and your publication so the interviewee will feel comfortable. Some answers may bring up additional questions.

* Speak clearly and slowly and make sure the interview subject understands the questions. Ask open-ended questions that can not be answered with “yes” or “no.” Take notes rapidly; develop a shorthand to do so. At the end of the interview, be sure to ask if you can call back later to clarify things and if so what time the interview subject will be available.

Environment:

* What’s around you? Bulletin boards, desk tops, pictures on the wall, file cabinets, etc., How does the sunlight stream into the room? And how does all this relate to the interviewee? 

DON’T USE DESCRIPTION JUST FOR THE SAKE OF USING DESCRIPTION It should have some connection to the person and his/her environment.

Direct quotes should be used: if the interviewee’s language usage is particularly picturesque or when it is important for written information especially interpretive information ? to come from an obviously authoritative voice.

You must make sure the reader KNOWS the interviewee is an authority. They may be used to answer the questions “why, how or so what.” Use a direct quote after a summary statement or paraphrase that needs amplification, verification or example.


Here are two videos about interviewing. Check them out.
The first is for sports stories.

The second is for video.

More articles about interviewing:

How journalists can become better interviewers
The art of the interview
Taking Notes

Back to Mass Media Stuff — stuff I have collected over 28 1/2 years of teaching a beginning mass media course in journalism-photography at San Antonio College

Opinion in the newspapers

During the current presidential election campaign, letters to the editor have criticized the San Antonio Express-News for endorsing President Barack Obama in an editorial. The newspaper endorsed other candidates in the same fashion. What the letter writers don’t understand is this is a time-honored tradition. Nothing new. It’s been around for scores of years.

Writing Editorials

This is your publication’s official position on issues.

The editorial serves as the official view of the paper, reflecting the opinions of many sides of an issue. It is composed by an editorial board (in this case, your group), which agrees on the topic and the view to present.

Editorial Content

– deals with a current issue which concerns many readers
– may attempt to influence, by giving readers all of the facts and concerns
– offer suggestions and indications as to outcomes

 the opinion, if offered, will not be an extreme view, but a well prepared and informed one, taking into consideration many aspects from both sides of the debate

Horace Greeley (Above) started the editorial page. He often wrote long, dull editorials.

Construction
– an editorial presents the official view of the paper, so it is a wisely thought out clear and concise wording- free of emotive terms
– usually balanced, presenting all aspects of the situation/event/issue

written on an important topic, often a deep seated problem within society, which is likely to be of interest or concern to many readers 

doesn’t normally include reported speech.

Editorial stories have:

• Introduction, body, solution and conclusion like other news stories.
• An objective explanation of the issue, especially complex issues.
• A timely news angle.
• Opinions from the opposing viewpoint that directly refute the same issues the writer addresses.
• Good editorials engage issues, not personalities and refrain from name-calling or other petty tactics of persuasion.
• Alternative solutions to the problem or issue being criticized. Anyone can gripe about a problem, but a good editorial should take a proactive approach to making the situation better by using constructive criticism and giving solutions.
• A solid and concise conclusion that powerfully summarizes the writer’s opinion. Give it some punch.Thomas Nast‘s editorial cartoons (above) caused the downfall of Tammany Hall.

Four Types of Editorials

Editorials of argument and persuasion take a firm stand on a problem or condition. They attempt to persuade the reader to think the same way. This editorial often proposes a solution or advises taking some definite action.
Editorials of information and interpretation attempt to explain the meaning or significance of a situation or news event. There is a wide variety of editorials in this category, ranging from those which provide background information to those which identify issues.
Editorials of tribute, appreciation or commendation praise a person or an activity.
Editorials of entertainment have two categories. One is the short humorous treatment of a light topic. The second is a slightly satirical treatment of a serious subject. (Satire is the use of sarcasm or keen wit to denounce abuses or follies. While it ridicules or makes fun of a subject it has the intent of improving it.)

Structure of an Editorial
Editorials are written according to a well-established formula.

  • Introduction – state the problem
  • Body – expresses an opinion
  • 

Solution – offers a solution to the problem
  • 

Conclusion – emphasizes the main issue

Additional tips on structuring your opinion story:

• Lead with an Objective Explanation of the Issue/Controversy.
• Include the five W’s and the H.
• Pull in facts and quotations from sources which are relevant.
• Present Your Opposition First. As the writer you disagree with these viewpoints. Identify the people (specifically who oppose you).
• Use facts and quotations to state objectively their opinions.
• Give a strong position of the opposition. You gain nothing in refuting a weak position.
• Directly Refute The Opposition’s Beliefs. You can begin your article with transition. Pull in other facts and quotations from people who support your position. Concede a valid point of the opposition which will make you appear rational, one who has considered all the options.
• Give Other, Original Reasons/Analogies.
• In defense of your position, give reasons from strong to strongest order.
• Use a literary or cultural allusion that lends to your credibility and perceived intelligence.
• Conclude With Some Punch.
• Give solutions to the problem or challenge the reader to be informed.
• A quotation can be effective, especially if from a respected source.
• A rhetorical question can be an effective concluder as well.

Some helpful tips

The Art and Craft of Editorial Writing
The Editorial Critique
Editorial Pulitzer for 2013
A class exercise


Back to Mass Media Stuff — stuff I have collected over 28 1/2 years of teaching a beginning mass media course in journalism-photography at San Antonio College

Adding an online presence in high school

Young people today hang out on the Internet. And that’s where they get much of their information about their interests, some of which may be NEWS. Even if news is not their No. 1 priority, it seems important that high school publications have an online presence. Some staffs will merely upload their print publications. Some will go beyond.

Guide to telling a story

Beginning Editing

The music on this tutorial is a bit much. Turn off the sound or you will nod off.

Izzy Video tutorials make it easy to learn video.

Video Editing: A Beginner’s Glossary

Read Casey Frechette’s credentials and see what he has to offer. He’s good!


These high school Pacemaker winners show planning and careful execution of ideas.

Palo Alto High School

Carlsbad High School

Annandale High School

Legacy High School

 


Now you have the visuals, look for the best sounds here.


So, this should get you started. At least. 

We’re so literary. . .

The Literary Magazine

A literary magazine is a fairly inexpensive way to provide students with a voice, as well as an audience for their writing. In these times of standardized testing, the literary magazine provides a great opportunity for students to write creatively and explore topics outside of the classroom.

Literary Magazines 

Browse the literary magazines listed in NewPages to find short stories and longer fiction, poetry, creative nonfiction, essays, literary criticism, book reviews, author interviews, art and photography. The magazine editor’s description for each sponsored literary magazine gives you an overview of editorial styles—what writers they have published and what they are looking for (with contact information, subscription rates, submission guidelines, and more).

A quarterly journal

Wel­come to The Ped­es­tri­an, a new quarterly journ­al that seeks to ex­plore the or­din­ary. It is easy to find cov­er­age of big events, big ideas and big­ger-than-life people. 

A BIG list of literary magazines 

This is the cover of Granta 111

The making of a cover 

Granta 111, ‘Going Back’, is largely about memory. How do we preserve memory and deal with the marks it has left? Many of the written pieces in the issue – an agile but emotional collection of fiction, non-fiction, poetry and photography – look at memory and its physical imprints. This is how it was planned, designed and produced. 

Censorship and you

In the 1988 case

of Hazelwood v. Kuhlmeier, the Supreme Court sought to clarify whether principals can censor school publications. (Whether the court actually succeeded in doing so is debatable.)

The case began when student journalists at Missouri’s Hazelwood East High School sought to print two edgy articles—one focusing on the effects of parents’ divorce upon students, another examining the issue of teenage pregnancy at the school.

The principal, upon review of their page proofs, deleted both articles from the issue before publication. The student journalists, angered by what they viewed as a blatant imposition of censorship, went to court. In the end, they lost.

In a split 5-3 decision, the Court ruled that the principal of Hazelwood East did have the constitutional grounds to censor the school newspaper because the paper itself, which was produced as part of a for-credit journalism class, was not a “forum for public expression” but was rather a “regular classroom activity.”

As such, the paper deserved not the broad protection offered to the free press under the First Amendment, but rather the much narrower protection offered to students in a classroom setting, where “educators are entitled to exercise greater control.”

The court majority then offered a very broad set of specific circumstances in which school officials would be justified in censoring student publications—cases in which the material in question was “ungrammatical, poorly written, inadequately researched, biased or prejudiced, vulgar or profane, or unsuitable for immature audiences.”

Critics blasted these standards as far too broad and subjective in nature; what, for example, would prevent a school principal from rejecting a critical article on the spurious basis that it was “poorly written”? In practice, the Hazelwood decision gave school officials a great deal of power to regulate the content of the student press; student press freedom advocates argue that it gutted students’ protections under the First Amendment.

But there is a catch. Not wanting to make quite such a blatant attack on students’ First Amendment rights, the Supreme Court in Hazelwood couched its judgment in that odd distinction between a “forum for public expression” and a “regular classroom activity.”

In practice, of course, most high school papers have functioned as both; the Hazelwood decision explicitly argued that a school publication that had established itself as a “public forum” would be entitled to broader protections under the First Amendment. Hazelwood East’s paper just didn’t happen to meet that standard. Student journalists and their faculty advisers across the country have been wondering whether or not their own papers qualify as “public forums”—and thus whether or not their publications have First Amendment rights — ever since.

Click here for SPLC’s Know Your Rights

The Supreme Court has refused to accept subsequent cases that might have helped to clarify the vague Hazelwood standard. In the absence of a clear statement from the court, the general presumption since Hazelwood has been that most high school papers do not have full-blown freedom of the press, but that most college papers (which typically are not produced as part of the academic curriculum) do. However, in 2005, the Seventh Circuit Court of Appeals in Chicago applied the Hazelwood standard to a college paper for the first time, ruling in Hosty v. Carter that Governors State University in Illinois did have the right to prior review of the school’s previously independent newspaper. In 2007, the Supreme Court refused to hear the Illinois students’ appeal.

That means that as of today, college publications in Illinois, Indiana and Wisconsin — the Seventh Circuit’s jurisdiction—may be subject to censorship under the Hazelwood standard, while college papers elsewhere in the country are not.

Clearly, it’s an understatement to say that the current state of student First Amendment law is a bit of a mess. Even the simplest question lacks a simple answer: Do students today have a First Amendment right to the freedom of speech and press?

Maybe. Maybe not.

Question from a parent:
My son is editor of his school newspaper. Last month his principal didn’t like an article that a reporter wrote, so he made my son take it out before printing the paper. Can he do that? Why or why not?
Answer:
Looks like he already did. What you really want to know is: 1. was it legal for him to censor high school writing? and 2. in the future, how can your son prevent the principal from trampling students’ First Amendment right to a free press. According to the legal eagles at the Student Press Law Center (SPLC), it depends. That’s because the law treats these cases differently based on whether the K12 grades school is private or public and whether or not the publication is an official product of the school.

Two Supreme Court decisions — Hazelwood School District v. Kuhlmeier and Tinker v. Des Moines Independent Community School District — define the level of First Amendment protection public high school students are entitled to. Together, these cases define the questions that must be asked and the standards school officials must meet before they can legally censor.

Basically, if your son’s paper is not sponsored officially by the school, or if it has established an “open forum” where students have been given the authority to make their own content decisions, then your son may have been illegally censored.

In order to legally censor, school officials must be able to show that their censorship is based on a reasonable forecast that the article would have caused a disruption of school activities or an invasion of the rights of others.

So, can principals censor school newspapers?

Yes. the principal can censor the school newspaper. Freedom of speech can and is limited in certain circumstances (can’t yell fire in a crowded building, can’t libel or slander) and a school newspaper is one place where that freedom is not absolute. The school administration must weigh the concerns of several constituents including the parents, teachers, students and the community at large. If publishing something in a school newspaper causes undo concern among one or more of these groups or if its publication would disrupt the learning atmosphere of the school then the principal has a right and duty to edit the publication accordingly.

What can you do to stop it? Why don’t you ask for a meeting with the principal and ask him or her that very question. Find out what the objections are and what you need to do to put the administration at ease. You’ll likely learn a valuable lesson in the way the real world works.

Are you still confused? The answer to the question “Can the principal censor the school newspaper?” lies somewhere in the middle.

 

The best approach an adviser can take is to level with the principal and establish ground rules. Tell the principal you will not embarrass the school or the school district and you should be trusted to make decisions. Tell him/her that you will bring everything to the principal for prior approval if that’s what is decided, but it must be done quickly because turnaround in journalism is important. Deadlines must be met.

It is hoped that this “heart-to-heart” talk with your principal will pave the way for an amicable relationship — for years to come.

Faculty Advisers Increasingly Face the Ax for Not Censoring High School Papers

Student Journalism | A Guide to Rights and Responsibilities from The New York Times The Learning Network

It’s a tough job, but someone has to do it.